⒈ Michael Moore Bowling For Columbine

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Michael Moore Bowling For Columbine



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EEUU: Michael Moore alerta sobre la posible llegada de Donald Trump al poder

There is so much more to the movie and Moore succeeds in taking the debate a step further than that and the documentary reaches a new all time high of filmmaking. It reminds us that this is a society where more than 11, people die every year from gunshot wounds, where the media indulge in images of violence, and play upon the white community's fear of 'the black man'. It is also a society where banks give out handguns when you open an account, where the public lives in constant fear of being robbed and killed, and where poverty is a serious problem 'forgotten' by politicians.

Moore takes up serious issues like these with an agenda that permeates his new documentary, but this agenda works because it exposes the double standards that Heston and others have promulgated for years. His intensive use of source music as ironic punctuation is sharp, as is the film's ability to shift gears between humor, pathos, and horror. An example of the contrast between sound and image is the sequence where Moore shows pictures of death, destruction, and world misery while at the same time playing Louis Armstrong's classic What a Wonderful World. But Moore goes beyond this classic form of intervention by making a history-of-America-cartoon where his use of irony is his way of starting a debate about a very serious question.

The narrator is a bullet that explains why Americans are driven by fear. Moore comes to the conclusion that the reason is that Americans have been scared of everything ever since the first immigrants arrived from Europe. However, he also concludes that this fear is irrational and that the only real threat to Americans is from Americans themselves! I like this film and the fact that is it meant to shake up the conservative American society and make Americans take a critical look at their own country.

Moore masters his job with perfection and continuously succeeds in making the audience identify with him. However, I think Moore can also be very manipulative in his presentation of information. Throughout the film, he meticulously develops his point that it is because of Americans' unreasonable fear of irrational things that America is so violent; with that groundwork in place, when Charlton Heston finally gets to make his point he ends up looking like a disturbed old man.

At times I felt the film was unstructured and lacked focus. Bowling For Columbine. Summary: Famed documentarian Michael Moore returns with his first feature film in five years, as he tackles the issue of America's unique obsession with firearms. Director: Michael Moore. Genre s : History , Documentary. Rating: TV-MA. Runtime: min. See All Details and Credits. Watch Now. Buy on. Stream On. Critic Reviews. Jonathan Curiel. Documentary reaches an exalted level of filmmaking.

It explains the very fabric of American society. Read full review. Lisa Nesselson. The sparks fly thanks to Moore's patented blend of curveball research, expedient juxtaposition, genuine satire and bottomless chutzpah. Rene Rodriguez. That broad range of subject matter is indicative of the messy, meandering structure of the movie. But if Moore fails to tie this unwieldy movie into a lucid thesis, at least every tangent he chases down has its own payoff.

David Sterritt. Moore turns the camera on himself too often for comfort, but he provides an eye-opening array of facts and revelations. Dana Stevens. Disturbing, infuriating and often very funny film. Desson Thomson. Moore provides a rather rambling discourse of causality, which includes racism, white flight and Africanized bees. John Powers. The answer Moore gets is both hilarious and disturbing. Ultimately, Moore zeroes in on how the culture of fear in the United States is the one component of U. Canadians, for example, have guns, but they have less gun violence. So, the problem in the United States is not the guns per se; it is the fear-based culture that wants them. Scenes in this film play differently today. It is not just the specific ways in which the NRA has become more aggressive since Heston was at the helm; it is also the reality that the interview had tough consequences for Moore himself.

Moore received death threats, including two from Clint Eastwood , in response to that scene. Perhaps the most chilling moment in the film that screens differently today takes place in the first hour when Moore interviews a suburban man who shows him various ways that a house can be protected from intruders. Why are they worse? And why has there been such inertia over this crisis? Moore, who has been a strong supporter of the Parkland students who organized March for Our Lives in the wake of the Marjory Stoneman Douglas High School shooting, is not giving up the fight. And that, perhaps, is the last new lesson of the film. It is also a story of how a committed artist, intellectual and activist can continue to champion a cause after death threats and after public scorn.

It is important to recall that in when Moore received the Academy Award for this film he used his acceptance speech to publicly condemn the War in Iraq, which had begun only days before.

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