❤❤❤ Marisol By Jose Rivera Character Analysis

Sunday, November 21, 2021 10:41:09 AM

Marisol By Jose Rivera Character Analysis



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The Monologue Project Week 51 Angel Marisol

This genera of art traditionally depicts down and out suffering. He highlights topics about class, race and gender by skewing the reality the audience knows with allegory and symbolism. After the clash between the senile God and the Angels ensue, the New York becomes an unsettling dystopia. In this world , all foods are salt, it rains acid, and men can give birth. Throughout this desecrated world, the characters search for a way to keep on living. The actors portray these characters with honest intentions and clear acting choices, which allowed me to believe and empathize with their characters. After seeing this play, I understand that one cannot grow by dwelling in the past. Rivera wrote a short exposition; but we observe the drastic impacts of the new world on the characters.

Watching the characters deal with the juxtaposition of before and after chaos ensuing is very engrossing. Some resist the change and others deny it. In response, the characters must find their way through this world and can only survive by revising their mindset. However, the story is surreal and disoriented because it lacks definition of time and space. Although she has elevated herself into the white collar class, she continues to live alone in the dangerous Bronx neighborhood of her childhood. As the play begins, Marisol narrowly escapes a vicious attack by a golf club-wielding madman while traveling home on the subway. Later that evening Marisol is visited by her guardian angel who informs her that she can no longer serve as Marisol's protector because she has been called to join the revolution already in progress against an old and senile God who is dying and "taking the rest of the universe with him.

Alone, without her protector, Marisol begins a nightmare journey into this new war zone where she is attacked by a man with an ice cream cone demanding back pay for his extra work on the movie Taxi Driver. Marisol finds herself on the streets, homeless, where her many encounters include a woman beaten for exceeding her credit limit and a homeless burn victim in a wheelchair looking for his lost skin. With the apocalypse well under way, the angels have traded in their wings for Uzis and wear leather motorcycle jackets and fatigues. As the action builds to a crescendo, the masses of homeless and displaced people join the angels in the war to save the universe.

Some find Rivera's play to follow not only in the tradition of magical realism but also of the Theatre of the Absurd as defined by Martin Esslin. Genet's The Balcony seems to have greatly influenced much of Rivera's tone and narrative structure.

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