➊ Julius Caesar Personality

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Julius Caesar Personality



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Julius Caesar - Greatest Conqueror Ever?

At the time of its creation and first performance, Queen Elizabeth , a strong ruler, was elderly and had refused to name a successor, leading to worries that a civil war similar to that of Rome might break out after her death. Many have debated whether Caesar or Brutus is the protagonist of the play, because of the title character's death in Act Three, Scene One. But Caesar compares himself to the Northern Star , and perhaps it would be foolish not to consider him as the axial character of the play, around whom the entire story turns. Intertwined in this debate is a smattering of philosophical and psychological ideologies on republicanism and monarchism. One author, Robert C. Reynolds, devotes attention to the names or epithets given to both Brutus and Caesar in his essay "Ironic Epithet in Julius Caesar ".

Reynolds also talks about Caesar and his "Colossus" epithet, which he points out has its obvious connotations of power and manliness, but also lesser known connotations of an outward glorious front and inward chaos. Caesar is deemed an intuitive philosopher who is always right when he goes with his instinct; for instance, when he says he fears Cassius as a threat to him before he is killed, his intuition is correct. Brutus is portrayed as a man similar to Caesar, but whose passions lead him to the wrong reasoning, which he realises in the end when he says in V.

Joseph W. Houppert acknowledges that some critics have tried to cast Caesar as the protagonist, but that ultimately Brutus is the driving force in the play and is therefore the tragic hero. Brutus attempts to put the republic over his personal relationship with Caesar and kills him. Brutus makes the political mistakes that bring down the republic that his ancestors created. He acts on his passions, does not gather enough evidence to make reasonable decisions and is manipulated by Cassius and the other conspirators. Traditional readings of the play may maintain that Cassius and the other conspirators are motivated largely by envy and ambition, whereas Brutus is motivated by the demands of honour and patriotism.

Certainly, this is the view that Antony expresses in the final scene. But one of the central strengths of the play is that it resists categorising its characters as either simple heroes or villains. The political journalist and classicist Garry Wills maintains that "This play is distinctive because it has no villains". It is a drama famous for the difficulty of deciding which role to emphasise.

The characters rotate around each other like the plates of a Calder mobile. Touch one and it affects the position of all the others. Raise one, another sinks. But they keep coming back into a precarious balance. The play was probably one of Shakespeare's first to be performed at the Globe Theatre. After the theatres re-opened at the start of the Restoration era, the play was revived by Thomas Killigrew 's King's Company in Charles Hart initially played Brutus, as did Thomas Betterton in later productions.

Julius Caesar was one of the very few Shakespeare plays that was not adapted during the Restoration period or the eighteenth century. One of the earliest cultural references to the play came in Shakespeare's own Hamlet. Prince Hamlet asks Polonius about his career as a thespian at university, Polonius replies "I did enact Julius Caesar. I was killed i' th' Capitol. Brutus killed me. The police procedural combines Shakespeare, Dragnet , and vaudeville jokes and was first broadcast on The Ed Sullivan Show. The movie Me and Orson Welles , based on a book of the same name by Robert Kaplow , is a fictional story centred around Orson Welles ' famous production of Julius Caesar at the Mercury Theatre.

In the Ray Bradbury book Fahrenheit , some of the character Beatty's last words are "There is no terror, Cassius, in your threats, for I am armed so strong in honesty that they pass me as an idle wind, which I respect not! The play's line "the fault, dear Brutus, is not in our stars, but in ourselves", spoken by Cassius in Act I, scene 2, is often referenced in popular culture. The line gave its name to the J. The same line was quoted in Edward R. This speech and the line were recreated in the film Good Night, and Good Luck. The titles of Agatha Christie novel Taken at the Flood , titled There Is a Tide in its American edition, refer to an iconic line of Brutus: "There is a tide in the affairs of men, which, taken at the flood, leads on to fortune.

Julius Caesar has been adapted to a number of film productions, including:. Modern adaptions of the play have often made contemporary political references, [44] with Caesar depicted as resembling a variety of political leaders, including Huey Long , Margaret Thatcher , and Tony Blair. Hartley , the Robinson Chair of Shakespeare Studies at the University of North Carolina at Charlotte , states that this is a fairly "common trope" of Julius Caesar performances: "Throughout the 20th century and into the 21st, the rule has been to create a recognisable political world within the production.

And often people in the title role itself look like or feel like somebody either in recent or current politics. Look what happens: Caesar is assassinated to stop him becoming a dictator. Result: civil war , massive slaughter, creation of an emperor, execution of many who sympathized with the conspiracy. Doesn't look much like a successful result for the conspirators to me. From Wikipedia, the free encyclopedia. This article may require cleanup to meet Wikipedia's quality standards. The specific problem is: tone. Please help improve this article if you can. September Learn how and when to remove this template message. Play by William Shakespeare. This section needs expansion.

You can help by adding to it. February See also: Shakespeare on screen and List of William Shakespeare screen adaptations. Julius Caesar. New Cambridge Shakespeare 2 ed. Cambridge, England: Cambridge University Press. ISBN Arthur Humphreys ed. Oxford University Press. Julius Caesar in western culture. Oxford, England: Blackwell. Blakemore The Riverside Shakespeare.

Houghton Mifflin Co. Neither play has survived. Chambers, Elizabethan Stage , Vol. Frank Baum. Archived from the original on 16 December Retrieved 13 March Run-Through: A Memoir. Retrieved 5 November This is Orson Welles. New York: HarperCollins Publishers. The New York Times. Orson Welles: The Road to Xanadu. New York: Viking. Retrieved 7 November Eric Blom , Vol. VII, p. The Riverside Shakespeare Company's lively production makes you think of timeless ambition and antilibertarians anywhere. British Film Institute. But is it any good , Washington Post 16 June The Guardian.

He was an accomplished writer who eloquently advertised his own achievements. He was a brilliant military leader, who over nine years of continuous fighting conquered Gaul adding modern-day France, parts of Switzerland and the Low Countries to Rome's possessions. With the strength of his victorious legion backing him up, Julius Caesar marched on the city of Rome and grabbed the reigns of power.

Julius Caesar was a man who changed history. The Roman historian Suetonius provides us with some insight into the character and personality of Julius Caesar: "He was tall, of a fair complexion, round limbed, rather full faced, with eyes black and piercing; he enjoyed excellent health except toward the close of his life when he was subject to sudden fainting fits and disturbances in his sleep. He was likewise twice seized with the 'falling sickness,' while engaged in active service. He was extremely nice in the care of his person, and kept the hair of his head closely cut and had his face smoothly shaved.

His baldness gave him much uneasiness, having often found himself on that score exposed to the jibes of his enemies. He used therefore to brush forward the hair from the crown of his head, and of all the honors conferred on him by the Senate and People, there was none which he either accepted or used with greater pleasure than the right of wearing constantly a laurel crown. It is said that he was particular in his dress, for he wore the special toga only Roman senators could wear with fringes about the wrists, and always had it girded about him, but rather loosely.

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